Here Is a List of Powerful Jews That Control the Media and Hollywood

Here Is a List of Powerful Jews That Control the Media and Hollywood

Here’s something that the media and Hollywood don’t like to talk about.

Despite Jews making up only about 2% of the U.S. population, they are severely over represented in ownership and management of media and entertainment. How does and why should one small group have so much power and influence?

Prestigious Jewish publications would have us believe that early 20th century Jewish immigrants to America who became big in the movie production industry were absolute geniuses–entrepreneurs who started with nothing and built great financial empires by their sheer wit and wisdom.

I find that doubtful.

I think it is clear that they did what they did only through assistance from their financially well-endowed elite Jew huckster buddies who financed them.

Without their help, they would never have been successful.

The elite Jew criminal buddy system always sees to it that fellow Jews, devoid of a conscience, get plenty of money to start up any business of their choice, as long as they carry on the tradition of screwing over Gentiles thereby.

They also stole ideas and hijacked Gentile patents in the early movie industry.

Anyways, some of the big elite Jew names in the early days of Hollywood, who were behind the creation of what is today Hollywood’s largest studios, include:

Motion Picture Studios

  • Warner Brothers
  • Harry and Jack Cohn
  • Samuel Goldwyn
  • Louis B. Mayer
  • Adolph Zukor
  • Carl Laemmle
  • William Fox

Let’s take a closer look at the elite Jew factor behind Hollywood’s major studios of today.

Columbia Pictures

Founded: 1924 by Harry and Jack Cohn

Current President: Amy Pascal

Warner Brothers

Founded: 1918 by Albert, Sam, Harry, and Jack Warner

Current President: Barry Meyer and Alan Horn


Founded: 1924 by Louis B. Meyer, Samuel Goldwyn, and Irving Thalberg

Current President: Michael Nathanson


Founded: 1909 by Carl Laemmle

Current President: Rick Finkelstein


Founded: 1916 by Adolph Zukor

Current President: Brad Grey


Founded: 1923 by Roy and Walt Disney (they were non-Jews)


Current President: Robert Iger, a Jew


Founded: 1979 by Harvey and Bob Weinstein

Current President: The Weinsteins, but they were acquired by Disney in 2005


Founded: 1994 by Steven Spielberg, Jeffery Katzenberg, David Geffen (super-Jews).

Current Presidents: Steven Spielberg, Jeffery Katzenberg, David Geffen

Newline (a division of Time Warner)

Founded: 1967 by Robert Shaye

Current President: Robert Shaye

20th Century Fox

Founded: 1915 by William Fox (originally William Fried–a Jew, of course)

Current President: Thomas Rothman

Out of the above ten major Hollywood studies, 9 of them were founded by Jews, but currently all ten of them are owned and run by Jews.

Is this not the essence of a conspiracy?

Ever wonder why so much evil crap comes out of Hollywood? Well, now you know the answer

Television Networks


After Ted Turner, a Gentile, “merged” with Time Warner, he said:

“I’ve had an incredible life for the most part. I made a lot of smart moves, and I made a lot of money. Then something happened, and I merged with Time Warner, which looked like the right thing to do at the time. And it was good for shareholders.

“But then I lost control. I thought I would have enough moral authority to have all the influence in the new company. If you go into business, be very careful with whom you merge.

“I thought I was buying Time Warner, but they were buying me. We had kind of a difference in viewpoint. Then they merged with AOL, and that was a complete disaster, at least so far. I have lost 85 percent of my wealth.”

Let’s look at how the elite Jews control the major TV networks.


Founded: 1972 by Gerald Levin

Current President: Carolyn Strauss


Founded: 1926 by David Sarnoff, a hardcore Jew

Current President: Jeff Zucker


Founded: 1939 by Arthur Judson, a Gentile who quickly sold to Jews Jerome Louchheim and Ike and Leon Levy

Current President: Les Moonves

CEO: Summer Redstone, formerly Summer Murray Rothstein

Warner Brothers

Founded: 1995 by Jamie Kellner


Founded: 1995 by Paramount Television Group

Current President: Les Moonves

Co-President: Dawn Ostroff


Founded: 1985 by Rupert Murdoch

Current President: Sandy Grushow

Out of the above ten major TV networks, nine were founded by Jews, but all ten of them are currently owned and run by Jews.

Once again, is it not clear what we are dealing with here?

Black Sitcoms

NBC/Getty Images

Hollywood Jews have produced pretty much every popular African American sitcom that has ever aired on television.

They do this primarily to appear as champions of minority groups that have formerly suffered oppression.

But the truth is, the main oppressors of blacks over the past several centuries have been elite Jews, who ran the slave trade.

History reports that they were also behind the Jim Crow laws that helped to foment racial tensions between blacks and whites, to help divide and conquer America.

Let’s have a look at a few examples of Jewish dominance of black sitcoms over the years.

The Fresh Prince of Bel-Air

Creators: Andy and Susan Borowitz

Good Times

Creators: Norman Lear and Bud Yorkin

Writers: Garry Shandling, Saul Turteltaub, Bernie Orenstein, Arnie Rosen, James Stein

What’s Happening!!

Creators: Eric Monte (black, not Jewish)

However, all the writers were Jewish: Barbara Berkowitz, Mary Farrell, Joseph Neustein, James Stein

The Jeffersons

Creators: Norman Lear and Bud Yorkin

The Cosby Show

Creators: Michael Leeson and Ed Weinberger

Different Strokes

Creators: Jeff Harris and Bernie Kukoff

Sanford and Son

Creators: Norman Lear and Bud Yorkin


Creators: Fred Rubin and Barry Gold

Hollywood Becomes a Communist Haven

Neal Gabler  
American Masters: Walt Disney

Since elite Jews popularized communism in the West and have dominated Hollywood from day one, it’s no surprise that Hollywood has always had communist leanings.

Neal Gabler, in his book An Empire of Their Own, had this to say about communist influences in Hollywood:

“Jews had first forged ties to the parties of the Left, and to the Communist party, specifically, back in Europe…. [O]ne leading Communist estimated that 50 percent of the Party’s members were Jewish during its heyday in the thirties and forties, and a large minority–sometimes a majority–of the Party leadership was Jewish…. What was true of the national Party was even truer in Hollywood, where they already formed a large part of the left-leaning artistic community…. One member complained that nearly 90 percent of the Party in Los Angeles was Jewish…. Ring Lardner, Jr., himself a Party member, had the impression that it was well over 50 percent, somewhat like, maybe, two thirds.’”

As it became apparent that the Communist movement in the United States was mainly Jewish-led, congressman Samuel Dickstein of New York, who was an Eastern European born Jew, took steps to protect his co-racialists.

He moved to have a special committee set up in Congress to investigate those who were pouring forth documents proving that Jewish Bolsheviks were running the Soviet Union, and had killed almost thirty million Russians and Ukrainians, and were the leaders of the Communist movement in Europe.

By calling all those who dared to criticize Jewish groups “Nazis,” Dickstein felt that he could bully loyal Americans into silence.

In January of 1934, Congress voted to establish a House Committee on Un-American Activities (HUAC), to investigate German activities in the United States. But the bias of Dickstein was so apparent that, by 1937, his anti-German and anti-Gentile rantings and ravings in congress were drawing attention to other Jews. When he tried to get the HUAC mandate renewed, the measure failed.

The Hollywood Jews then backed Congressman Martin Dies, a non-Jew, in setting up a committee with the same name, under his chairmanship.

Dies voiced their concern, when he said:

“Many of our Jewish citizens wanted Dickstein eliminated, because they felt he was furnishing ammunition to the Nazis and other anti-Semitic movements.”

By 1939, Dies’ investigation of subversion in America had opened his eyes to the reality that the facts uncovered by the Committee substantiated the claim that Hollywood was, indeed, pro-Communist, just as many so-called “anti-Semites” had claimed.

Neal Gabler quoted Dies who told key figures in Hollywood:

“I told the producers that we had reliable information that a number of film actors and screenwriters, and a few producers, either were members of the Communist Party, followed the Communist line, or were used as dupes, and that there was evidence that the Hollywood Anti-Nazi League was under the control of the Communists.”

Dies retired from Congress in 1944, at which time a fiery Congressman named John Rankin of Mississippi used his influence to get the HUAC made a permanent committee of Congress, but this time to investigate communist influences.

Rankin’s investigations further opened his eyes to the fact that Hollywood Jews were behind the anti-moral assault on America.

Rankin told the press that:

“…the information we get is that [Hollywood] is the greatest hotbed of subversive activities in the United States. We’re on the trail of the tarantula now, and we’re going to follow through….We are not trying to hound legitimate writers, but we are out to expose those elements that are insidiously trying to spread subversive propaganda, poison the minds of your children, distort the history of our country, and discredit Christianity….[A]lien-minded communistic enemies of Christianity, and their stooges are trying to take control over the radio. Listen to their lying broadcasts in broken English, and you can almost smell them….They are now trying take over the motion picture industry, and how to high heaven when our Committee on un-American Activities propose to investigate them. They want to spread their un-American propaganda, as well as their…immoral, anti-Christian [standards]…before the eyes of your children, in every community in America.”

Too bad that spirit is dead in Congress today.

This was quite a fantastic twist, considering the fact that Jews had originally founded the HUAC in an effort to stifle legitimate criticism of their activities in America, and place focus on Nazis.

But by 1945, it had gone full circle, and was being used as a legitimate vehicle for patriots to go after those who were influenced by Communism, and trying to change the thinking of America.

It was a complete backfire.

This gave Walt Disney, along with other non-Jews who had been discriminated against by the “Majors,” a chance to try and bring an end to the Jewish domination of Hollywood, and the HUAC hearings went on well into the mid 1960s.

Disney and his Motion Picture Alliance for the Preservation of American Ideals (MPAPAI) tried to break the Jewish Communist stranglehold on Hollywood. As the MPAPAI and the HUAC fought the red / Jewish influence in Hollywood, the reds kept striking back by fomenting one strike after the other against Disney and others who opposed them.

Walt openly vowed to keep the commies out of his studio, and told the press that the strikes at his studio were orchestrated by the Communist Conspiracy. Disney’s biographer, Marc Eliot wrote:

“Ever since Sinclair’s gubernatorial campaign helped unify Hollywood’s left, the Communist Party of the United States of America (CPUSA) had made its presence felt by championing the rights of the film industry’s workers. The CPUSA played a vital role in the Screen Writers Guild’s long battle to exist, thus helping to make legitimate the industry’s burgeoning union movement.”

As always, the elitist pigs used their phony concern for the rights of workers as a cloak to spread their monstrous communist ideology.

It was the same filth they had pulled in Russia, which led to the Bolshevik Revolution.

A war broke out between Disney and the Hollywood elite Jews over the pervasive communist influence in Hollywood.

In his open letter of March 7, 1944, Disney said that Hollywood had been:

“…coddling Communists…and those with un-American beliefs.”

Legal action was taken to break up the “big five” monopoly of Hollywood Jew-run studios, and in the case of the United States of America vs. Paramount, the supreme court ruled that the “big five” were prohibited from expanding their holdings and control over the production, distribution, and exhibition of movies.

A small victory for Disney, but a victory, nonetheless.

The actions of Disney and the handful of patriots in Hollywood led to HUAC investigating hundreds of reds in Hollywood, mostly Jewish.

A number of the most notorious reds were consequently blacklisted by Hollywood movie makers, because of fear that HUAC would also investigate them.

This ban on outright reds in Hollywood lasted until about 1965.

Efforts to Censor Low Moral Standards In Hollywood Movies

Senator Smith Wildman Brookhart

After these Jews achieved complete control over the distribution of movies in the early days of Hollywood history, they kept lowering the standards regarding morality and sex, to the point where some members of Congress felt that film censorship was necessary, and thus they introduced legislation to create a board of film censorship.

To get around this censorship board, Hollywood Jews rapidly moved to form a “self regulating” organization called the Motion Picture Producers and Distributors of America (MPPDA).

A non-Jew was picked to head the organization–former Postmaster General Will Hays, who had been national chairman of the Republican Party.

In his Disney biography, Marc Eliot wrote:

“The Jewish power faction in Hollywood hoped [that] choosing a Christian to regulate the moral content of their films would improve the overall image of its industry.”

Yeah, while yet lowering the moral standards of their film productions.

Some members of Congress considered Hollywood to be not only immoral, but also subversive.

In 1929, U.S. Senator Smith Brookhart summed up the deteriorating situation in Hollywood as a battle between competing studios, led by “bunches of Jews.”

And, ultimately, it’s quite clear who won this battle, at least for now.

Hollywood movies are a cesspool of immoral filth and violence that is, to a very large degree, responsible for the degradation of our society.

It’s all summed up so well in the following quote from Kurt Munzer in his book The Way to Zion:

“We Jews…have tarnished and broken…[and] made everything foul, rotten, decomposed, and decayed.”

An Amazing “Insider” Revelation

Mel Gibson
Tiziana Fabi/Getty Images

Over the years, there have been many mysterious deaths of Hollywood celebrities that have been falsely labeled “suicide” or “drug overdose.”

Perhaps these deaths can now be made sense of, when we consider the elite Jew criminal pigs that run the whole operation.

In Hollywood, if you don’t kiss elite Jew hind parts, you either get demonized or killed, plain and simple.

I’m surprised Randy Quaid never ended up on the hit list.

In 2010, he and his wife fled to Canada to escape what Randy described as a witch hunt
frenzy of “Hollywood star whackers.”

He was being pursued for bogus charges of trespassing and vandalism. This is the typical harassment launched against those who do not play ball in Hollywood.

Here’s what Quaid had to say on the matter:

“I have been the victim of criminal activities perpetrated by a small network of individuals who are out to destroy us personally, professionally, and financially. This network of individuals is manipulating the banking system and the criminal justice system for purposes of sabotaging our credit and our credibility. Up until a year ago, Evi and I never had any run-in with the law whatsoever. We are not criminals, nor are we fugitives from justice, nor are we crazy. We are simply artists and film makers who are being racketeered on.

“We believe there…to be a malignant tumor of star whackers in Hollywood. How many people do you know personally who have died suddenly and mysteriously in the past five years? I have personally known eight actors, all of whom I have worked with and was close to. Heath Ledger, Chris Penn, and David Carradine among them. I believe these actors were whacked, and I believe that many others, such as Britney Spears, Lindsay Lohan, and Mel Gibson are being played, to get at their money…”

Who do you suppose these “whackers” are that he was talking about? He said they also influence the banking and criminal justice systems. Can you guess who that might be? Who is it that runs Hollywood?

Who was it that had been specifically angry with Mel Gibson?

Four letters, Jews.

How to “Make It Big”

Corey Haim (left) and Corey Feldman in the 1987 film ‘The Lost Boys’.
Everett Collection

Most people are aware by now that, for the most part, to make it big in Hollywood, one has to drop their pants.

But what many don’t realize is that this applies to children as well.

This should come as no surprise, considering that pedophilia has always been rampant among elite Jew pigs.

But let’s notice what the UK’s Daily Mail had to say about this in its August 12, 2011 edition:

“Actor Corey Feldman has sensationally claimed that his Lost Boys co-star Corey Haim was the victim of a paedophile who was also a Hollywood mogul.

“The Lost Boys actor said he was ‘literally surrounded’ by pedophiles at the age of 14, but didn’t realise ‘until I was much older what they were and what they wanted.’

“In a special report, ‘Underage And Famous’ for ABC’s Nightline show, Feldman blamed former co-star Corey Haim’s death at the age 38 on the abuse he suffered at the hands of a ‘Hollywood mogul’ he refused to name.

“The 40-year-old former child star said that pedophiles were ‘like vultures’ in the entertainment industry and alleged that the ‘casting couch’ even applies to children.

“The pair were two of the eighties biggest child stars, alongside River Phoenix, and in addition to The Lost Boys, Feldman starred in iconic eighties movies The Goonies, Stand By Me, and The ‘Burbs.

“He told Nightline: ‘The number one problem in Hollywood was, is and always will be, paedophilia,’ he said.

“‘It’s all done under the radar.…But it’s the big secret.’ “‘There was a circle of older men that surrounded themselves around this group of kids. And they had power or connections to great power in the industry.

“‘I was surrounded by them when I was 14 and I didn’t even know it. It was only when I was old enough to know what they were.

“‘They all had either their own power, or connections to great power in the entertainment industry.’

“In 2008, the pair who confronted each other on their reality show, The Two Coreys. Haim said to Feldman: ‘You let me get f___ed around in my life, raped, when I was about 14 and a half.

“‘So I’m asking you, what did you do when you saw that shit going down?’

“To which Feldman responded: ‘I was being molested at the same time…what did you do about it?’

“The 40-year-old previously revealed in an interview with GQ that he was molested by his assistant as a child.

“Feldman says he believes the trauma of the abuse affected Haim for the rest of his short life. He died last year aged 38.

“He said: ‘The person that knows who did it and knows who he is is watching right
now, I guarantee it.

“‘There’s a lot of good people in this industry and there’s a lot of really, really sick
corrupt people in this industry.

“‘And there are people that have got away with it for so long that they think they’re above the law and that’s got to stop.’

“Feldman, who married wife Susie on a reality show in 2002, said that he would not put his son, Zen, seven, in the movies.

“He is also one of very few stars who won’t allow his child to be photographed on the red carpet. “Haim’s mother was contacted for comment but told Nightline she refused to respond to anything Feldman had to say. She added she wished he would only talk about himself.

“Feldman was not invited to the funeral of his former co-star….”

What a horrific state of affairs we are in.

“I don’t care if Americans think we’re running the news media, Hollywood, Wall Street or the government. I just care that we get to keep running them.”

Joel Stein, Los Angeles Times, “How Jewish Is Hollywood?” December 19, 2008.

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